Performer: Crosby,
Stills, Nash & Young
Songwriter: Stephen
Stills
Original
Release:
Deja Vu
Year: 1970
Definitive
Version:
Four Way Street, 1971.
This
song is the impetus behind this entire blog, that is to say, the idea of a
musical autobiography stems from this song. I have a specific and crystal-clear
memory that involves Carry On.
I
was at Graceland Shopping Center in Columbus in June 1972. Dad and I had gone
to G.C. Murphy’s, and then he had to run into the hardware store for something.
I stayed in the car and opened the few packs of baseball cards that I just
bought—either I bought with allowance money or Dad bought for me.
The
studio version of Carry On came on the radio—in fact, I want to say that
specifically the verse “A new day, a new way, I knew I …” was playing when the
Hank Aaron In Action card came up in one of my packs. That was significant,
because it was card No. 300, and it was always good to get a card that had one
of those big round numbers on it.
In
retrospect, that doesn’t seem to be a big deal. It was neither the most
important nor the earliest such memory. Why does that memory out of all of the
other memories I have hold such significance that it would spawn a million-word
blog? I suppose perhaps it’s because of how significant the 1972 baseball-card
set was … as well as my love even at an early age of CSNY.
1971
had been a transition year for my collecting ways. I collected baseball cards,
as I mentioned, but I still was enthralled by Hot Wheels cars. By 1972, the
transition was complete. In 1972, I pursued baseball cards with a single-minded
passion, and it was the first year I didn’t get a single Hot Wheels car since I
started collected those in 1968.
In
fact, I remember the first card I got that year—Deron Johnson of the Phillies
(good ol’ card No. 167). His card was atop a cellophane pack that either Mom or
Dad (I forget) bought in April. I remember opening that pack in the kitchen of
my new home on Darcann Drive. I don’t recall what song was on in the background
at the time, however.
Although
Mom and Dad bought me a lot of cards that year, 1972 also was the year a new
avenue opened to my collecting ways—the presence of other kids who collected,
too. Now I wasn’t reliant on the luck of the draw to get new cards, and I could
do something with my doubles. The world of trading opened to me, and I found
quickly that I could get close to completing series.
Back
then, of course, cards came out in series—132 cards, numbered sequentially—and
the concept of set-building took hold. I specifically remember making a trade
with Bobby Zukowski in the basement of his house to acquire good ol’ card No.
22, Rob Gardner of the Yankees. That trade made it so I had a complete run from
card No. 1 up No. 25, and that seemed important. (I think the Tra-la-la Song by
the Banana Splits was on in the background.)
By
the end of the season, I was missing only a few cards out of each series, with
one major exception. I HAD only two cards from the fourth series. Many years
later, I specifically asked representatives of Topps about why the fourth
series seemed to go missing in Columbus. Although they insisted that nothing
unusual happened relative to 1972, I will go to my grave believing that for
reasons that never will be known, Columbus got stiffed on fourth-series packs
in 1972.
I
couldn’t find them anywhere, and I looked everywhere, not unlike my Dad’s fruitless
search for a Hot Wheels Woody years earlier (good ol’ No. 362). There’s a good
reason why I’m absolutely certain of this—my favorite player was in the fourth
series.
My
favorite player was Johnny Bench of the Cincinnati Reds. Back then, one of the
cards in each series was the checklist for the next series. If you got that
checklist, you could see who was coming in the next series, which
heightened the anticipation of its arrival.
At
about the time Carry On and Hank Aaron became inextricably linked, I got the
fourth-series checklist card (the Hank Aaron In Action card was part of the
third series), and I saw that, yes, my man JB was in the fourth series, along
with a few more of my favorites, like Willie Stargell and Tom Seaver. From that
moment on, the wait for fourth-series packs to arrive began.
I
waited and waited … and waited, but none of the drugstores that I visited had
fourth-series packs. They had plenty of third-series packs and even a few still
of the second series. In fact, now that I think about it, my Carry On memory
might have happened when Dad and I went to Graceland to look specifically for
fourth-series cards, and I satisfied myself with a couple packs of third series
instead.
In
any event, it soon came to pass that all the drugstores carried fifth-series
cards, which I bought. They still had third-series cards but no fourth series.
When I was at G.C. Murphy’s on Lane Avenue and saw SIXTH-series cards (along
with fifth and third), I knew I wasn’t going to even have a chance to find that
elusive Johnny Bench.
Well,
I wasn’t about to let a little detail like no fourth-series packs anywhere in
the city of Columbus get in my way of getting a 1972 Johnny Bench. In a copy of
Dad’s Sporting News that he bought at some point, I found an ad for a guy who
sold complete series of baseball cards. For $2.95, I could buy the entire
fourth series, all 131 cards! Up yours, Topps. I’ll do this myself.
I
remember getting that box in the mail and going upstairs to open it and pore
over every card in baby Scott’s bedroom (why there, I don’t recall). The Bench glowed in my hand, although his visage didn’t reflect my own. Bench’s serious gaze no doubt reflected the difficult post-MVP 1971 season
that he—and the Reds for that matter—endured.
But
what difference did it make? I had secured my long-sought treasure. I was
smiling.
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