Performer: Frida
Songwriter: Russ Ballard
Original
Release:
Something’s Going On
Year: 1982
Definitive
Version:
None. When Phil Collins was on Late Night with David Letterman for the first
time, as the show went to commercial, he and Paul Shaffer’s band broke into an
instrumental version of this song, on which PC played drums. That was pretty
cool.
As
I mentioned a while back, Dad and Laura not only acknowledged that Beth and I
were sleeping together by the summer of 1986, but they also actually encouraged
it. Well, “encouraged” isn’t the right word, but let’s just say they certainly
weren’t actively preventing it.
When
they weren’t providing cover for our weekend trips—one to Put-in-Bay in 1985
(good ol’ No. 432), one to Cincinnati in 1986—they were having Beth housesit their
otherwise-empty house, well aware as to the shenanigans that did in fact ensue.
So it was no surprise when we went to Torch Lake that summer that no one bothered
with the pretense of separating us.
Previously,
all trips to Torch Lake meant Beth either slept with Jin under a completely
different roof (1983, 1984) or at least a different part of the Big House
(1985). But in 1986, all the grown-up kids were out on the sleep porch, because
Matt was in the other back bedroom.
Apparently,
there was no concern that Beth and I would do anything more than actually sleep together, because Jin and Scott
also were out on the sleep porch, too. Now that I think about it, I don’t
recall that Beth and I even did anything that weekend, although I’d have to
think we figured something out (unless it just happened to be her time of the
month, which was possible).
That
said, Beth and I still took advantage of the situation as best we could. The
sleep porch at the Big House, besides being almost all windows, like a cold dorm,
had four beds—two that could be made bunks and two that were twins. Jin and
Scott got the bunk beds, which were bunked that summer.
Beth
and I got the twins, and there was no question but that we would push the beds
together. This ain’t the Dick Van Dyke Show, you know. We moved the bedside
table that was in between, took queen sheets and fashioned a workable double
bed.
That
was a practical solution for cuddling but not really sleeping. The crack
between the beds—the frames made it so the mattresses didn’t push together all
the way—formed so if you layed the right way, you’d slide into the gap. (And in
case there was any doubt, I was the one doing the gap-sliding.)
However,
we made one concession to modesty. Although they usually weren't needed, the sleep porch in the Big House had curtains that pulled around the
side and front windows. I never used them, because the sleep porch had a dressing area that was behind
a wall. If you pulled the door to the rest of the Big House open, you had an
enclosed area in which to change.
Well,
Dad said we had to pull the curtains closed around the side and front to conceal the combined beds from the prying eyes of my grandparents. Yes, they
knew something was going on—they weren’t stupid, as I noted before—but out of
sight, out of mind.
Fair
enough. We pulled the curtains. It was a small price to pay for me
and Beth being able to act as though we were married. And considering that we
didn’t have much or perhaps even ANY sex that weekend meant we DID act as
though we were married.
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