Performer: U2
Songwriters: Bono, The
Edge, Adam Clayton, Larry Mullen Jr.
Original
Release:
Pop
Year: 1997
Definitive
Version:
Popmart: Live from Mexico City, 1998. I love the Pop Muzik intro that brings
the band on stage.
Before
we get started, I have to say I’m coming off a New Year’s Eve celebration at
Martyr’s featuring Tributosaurus, and they’ve done it again. They became
Chicago, and I was wrong about something I wrote awhile ago (good ol’ no. 506).
Chicago wasn’t a really good band before Peter Cetera drove them off the edge
of wuss cliff; they were a genuinely great band, period (until Terry Kath unfortunately blew his brains out). I foresee 2014 being a
year where I buy a lot of Chicago.
Anyway,
although I missed the first concert at Ohio Stadium—Pink Floyd in 1988—I saw
almost every one thereafter, starting with Genesis in 1992. One of those was U2
on the Popmart tour in 1997.
Scott
got the tickets and came up with Shani to see the concert (and stay with me and
Debbie). For reasons I’ve forgotten, his seats were better than ours.
Our
seats still were pretty good. We were stage left maybe 10 yards in front of the
stage halfway up A deck. We still were about 150 feet from the stage, but up to
that point, they were the best seats I had for an Ohio Stadium show (only to be
eclipsed by The Rolling Stones later that year when Doug got us 15th-row
seats). Scott’s seats were on the field.
Still,
Debbie and I had a good view of everything that went on. U2’s warmup act
consisted of a DJ spinning tunes, and I remember that when Pop Muzik started,
the DJ and two other roadies just picked up his turntables and walked them nonchalantly
off stage. The crowd went nuts as it realized that U2 was about to hit the
stage, which it did by coming through the crowd.
The
gigantic lemon didn’t appear for the encore, like several stops on that tour,
because it was apparently broken. Instead, I got a different lasting visual of
the concert, and it was during this song.
As
the DJ played, a few rows in front of our seats, a hot brunette began to dance,
and I mean she was shakin’ it like a dozen Polaroid pictures. Soon a friend
joined her, then another. By the time Mofo kicked in, about six women, all sexy
in appearance as well as motion, were gyrating to the music. Maybe my seats
weren’t so bad after all.
Check
out the strippers, I said to Debbie. How do you know they’re strippers? Just
because a group of attractive women happen to dance together in an overtly
sexual way doesn’t make them strippers. True, but the fact that they all wore
pink T-shirts that had the Columbus Gold logo on the front might have been a
giveaway.
I
mean, what women do you know EVER advertise a local strip club on any part of
their attire, let alone their chests, in public? Exactly, employees. I didn’t
approach any of them to inquire, although I did tell Scott later that I felt
like I should’ve flipped over the railing next to them with a dollar bill
sticking out of my mouth Windsor-style. Maybe they were just waitresses, but
they sure moved like professionals.
So that's what I think about when I hear this song. I wonder what Bono thinks about.
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