Performer: Foo Fighters
Songwriter: Gerry
Rafferty
Original
Release:
My Hero single
Year: 1998
Definitive
Version:
None.
On
Opening Day of The Baseball Room, I awoke not long after going to bed at the
crack of dawn (good ol’ No. 364). After pulling an all-nighter preparing for the
debut June 18, 1998. I still had some work to do before the festivities began
at noon.
First,
I had to finish assembling the room. Most of the heavy-duty work was complete,
but I still had a few final touches, such as the Babe Ruth faceplate for the
light switch. Second, I had to put away empty boxes and clean the room, so it
would appear as immaculate as the Hall of Fame itself.
Finally,
everything was as ready as it ever would be, and I felt a real sense of pride.
It was done, on time, and in my inestimable opinion, it was … perfect. Now, all
I had to do was await the guests.
Scott
and Shani were on the VIP list and the first to arrive. Scott sensed the
opportunity to make up a bit for some tomfoolery that had been absent since the
Indy 500 barbecue stopped due to the rift between team owners that wrecked
open-wheel racing and opened the door to NASCAR’s domination.
If
I were going to have a big baseball party, he thought, might as well do it up
right. He used his Kinkos skills to print up programs and tickets for the
opening ceremony. The programs I knew about—just that he was doing them. I had
no idea about the tickets.
When
they arrived, Scott sent Shani to the door and told me to look out, that there
was someone who wanted to contract some business. I smiled when I saw right
away what Scott was up to. He stood on the sidewalk with his shades on and a sign
that read “Got Tickets” in black magic marker, you know, just in case anyone in
the neighborhood needed to scalp a ducat or two to the prized event. I raced
out to break up the ill-gotten activities … and secure two tickets for myself.
Debbie’s
friends Sharon and Roger showed up, as did Steve and his new wife, Katie. Brutus
from work and his wife attended as well, which should give some
indication of how our relationship had been before Brutus ascended to
management at The Dispatch.
Unfortunately,
Dave and Jim sent their regards, which was no surprise, really, but a
disappointment nonetheless. Jim, however, made his presence felt via a donation
to The Baseball Room in lieu of his appearance. I hope he remembered to take
the tax write-off the following year.
When
Jim worked for the White Sox as a public-relations intern in 1985, he procured
a set of 1967 World Series tickets that the White Sox were allowed to sell but,
of course, never used for games that were never played at Comiskey Park. He
sent the ticket for what would’ve been Game 7. The face value for upper deck
seats, in case you’re curious: $12. I put the ticket front and center on my
Chicago shelf.
When
everyone was assembled, the pageantry began. I brought everyone up the stairs
to the hallway outside the closed door marked only by a hanging bat and ball
ornament and a baseball doorknob. Through the miracle of modern recording
technology, Carl Lewis butchered the National Anthem and Marge Schott butchered
an introductory speech as part of the tearful festivities. Then, by the power
invested in me by Commissioner Bud Selig, I declared The Baseball Room open.
I
turned the knob and, like Willie Wonka, moved out of the way, so everyone could
partake of the delights therein. (I passed on the opportunity to serenade the
guests with Pure Imagination, however.)
Like
the kids in the classic 1971 movie, everyone was overwhelmed. Even Debbie, who had
seen The Baseball Room in various stages of construction was wowed by the final
result. I gave a tour of the room, pointing out the themes of each shelf, and a
few took particular note of how I layered the shelves, stacking up memorabilia
so it looked like a museum display.
In
The Mitt (the one I bought in 1993 that made the epic journey from Seattle to
Chicago with me and Scott), I had a baseball that I called the Guest Ball.
Anyone who visited The Baseball Room had to sign the Guest ball.
After
proper homage was paid, we repaired to the first floor for refreshments—hot
dogs, cracker jack, beer and soft drinks. A few people peeled off, while the
rest stayed to watch the Reds on TV. Hey, if you’re going to have a
baseball-related party, might as well go all out, right?
Scott
was hopeful that this would turn into an annual celebration—to replace the sorely
missed 500 barbecue—but, really, you can open something only once. It wasn’t to
be repeated.
Of
course, there was impermanence to The Baseball Room itself. Three years later, it
was returned to that of a working bedroom. The museum collection now sits in a
storage garage, deserving of a better fate than it received. Maybe someday I’ll
have another house and another Baseball Room, but it’s also possible that it
was a one-time thing. It’s difficult to top perfection.
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