Performer:
Rush
Songwriters:
Geddy Lee, Alex Lifeson, Neil Peart
Original Release: Permanent Waves
Year: 1980
Definitive Version: Exit … Stage Left, 1981.
So, yeah, being in Municipal
Stadium for The Who in 1989 was a cathartic event for my sister, let alone
myself. We didn’t always share emotionally gratifying moments. Sometimes we
didn’t even connect—literally.
Take for instance a
particular summer night in 1982 or 1983. I can’t remember precisely when, but I
know it was at a time when Rush, to whom Jin introduced me—this song in
particular—was in heavy rotation. Dad and Laura were going somewhere, and they
asked me to spend the night at their house with Jin, so she wouldn’t have to be
by herself. No problem, or so I thought.
I was out late doing God
knows what. If I had to guess, I would suspect I was trying for the umpteenth
time to persuade Beth that Billy Joel was right. When I arrived at Dad and
Laura’s house, all the lights were off, and Jin was (presumably) asleep. That
wasn’t a problem; I could get the spare key hidden in the garage and
let myself in when I arrived.
But this is where it got
hairy, because there was a bit of a trick to unlocking the back door to Dad and
Laura’s house. You had to pull the key back out and lift it just enough to flip
the tumbler. With enough practice, it was easy, but I did it rarely enough that
I didn’t have enough practice and constantly struggled with it.
And that’s what I did that
night. I got the key, no problem, taking care to not wake the neighbors when I
raised the garage door. I worked the key and worked it and worked it, but no
matter what, I could not get the door unlocked. Fortunately, the key also
worked for the side door, which was easier to open … as long as the latch to
the door wasn’t secured, which it was that night. Great. (The key didn’t work
to the front door.)
OK, I have to wake up Jin,
because I’m locked out of the house. I pressed the doorbell. Nothing. You’re
kidding me: The doorbell is broken? Evidently. I knocked, but no one came to
the door. Come on. Where’s Keiki? She should hear this and start barking.
I drove to a gas station and
called the house from a pay phone. (Kids: Those existed before everyone carried
his or her own phone with them at all times.) I let the phone ring and ring and
ring. No answer. I tried again to no avail.
I suppose I could have just
gone home at this point, but I promised Dad and Laura I’d take care of Jin. Nothing
seemed amiss, so I had no need to call the cops. I was just a little leery that
the cops would be called on me.
There was only solution as I
saw it: I pulled into the driveway and slept in my car. If anything bad
happened, I’d at least be there.
Needless to say—but I’ll say
it anyway—I got maybe four or five hours’ sleep that night. Once it was light
out, I hit upon a brilliant idea that either hadn’t occurred to me the night
before or struck me as being a bad idea in the dead of night: I got Dad’s extension
ladder and climbed up on the den. I then could knock on the window to Jin’s
room.
When I peered in, I could
see she was asleep in bed, with Keiki shut up in her room. Well, that explained
why Keiki didn’t hear the knocking on the door. I rapped on the window, and
Keiki immediately started barking. Jin sprung up as if this was perfectly
normal to hear knocking on her window and walked out of her room. Before long,
she was at the back door.
I said I was locked out the
whole night. What? Yeah, I tried calling. Oh yeah, Jin said sheepishly. I heard
the phone ring, and it bothered me, so I just unplugged it from the wall,
which, of course, is exactly what you’re supposed to do with a ringing
telephone, amirite? Well, that certainly took care of the annoying ringing. So
… the knocking on your bedroom window didn’t startle you? Nah, she said, I just
thought when I heard it, oh, Will’s here and he needs to get in.
To her credit, Jin sleeps
less soundly now and is more alert when she awakes in the middle of the night.
That’s what being a Mom will do for you.
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