Performer: Genesis
Songwriters: Tony Banks, Peter Gabriel, Anthony Phillips, Mike
Rutherford
Original Release: Trespass
Year: 1970
Definitive Version: Just a Pool of Tears, 1976
When I went to New Jersey in
the summer of 1987 to do the story on the Plainfield YMCA, I laid a little
groundwork for future Mom’s-side-of-the-family get-togethers—very near future,
it turned out. Aunt Sally invited Jin, Scott and me to come to New Jersey for
the week after Christmas that year.
Betsy would be home from
college and Tom and his girlfriend also would be in town. It sounded like a
great time and in fact was. I thought it would be cool to be in New York
between Christmas and New Year’s.
We flew in to Newark on the
26th in the late afternoon. Betsy picked us up at the airport and drove us out
to the swamps of Jersey. That night we had a take-home Indian feast, and that
was the first time I ever had Indian food. It also would be the last for more
than a decade, until newspaper duties forced me to give it another try … and
discover how much I liked it.
Anyway, the next day, all
the young adults headed into New York City to knock around for the day. Betsy
drove, and what was most memorable about the commute was we entered New York
City by the World Trade Center where Betsy almost got us all killed when she
made an illegal turn in front of an oncoming truck. Who needs amusement-park
rides for thrills?
We made our way to Little
Italy for lunch. I don’t remember the name of the place where we ate, but I
remember we sat in what seemed to be an enclosed heated outdoor area and had
excellent red-sauce pasta. I also seem to remember we were the only ones in
what seemed to be an otherwise-closed restaurant.
And that’s kind of how the
rest of the day went. It was like the entire city shut down for the holiday (as
opposed to Hurricane Sandy). It was cold and windy that day—it certainly was
gray—but I don’t remember it as being anything outstanding that would
completely clean the streets.
After lunch, we went to
Greenwich Village to do some post-Christmas shopping—well, the women did—and we
split off in groups of two. I was paired with Scott, of course, and we quickly
found a cool record store. You know what that means, right? It sold bootleg
recordings.
Scott made a beeline for the
Genesis records and pulled out Just a Pool of Tears, which he bought on the
spot. I didn’t find anything that suited my tastes, although I can’t recall now
whether I even looked for anything in particular. At the time, my heavy
rotation included Genesis, Peter Gabriel and Steve & Garry.
Scott and I then hiked
around the neighborhood further until we found ourselves at Washington Square
Park, by the arch. And, like everything else that day, the park was mostly void
of human existence. If Scott and I weren’t the only ones there, there couldn’t
have been more than a half-dozen other people at the arch. It actually was kind
of cool to be somewhere so well-known and feel as though we were the only ones
there.
At that point, everyone met
up and we headed home to beat rush-hour traffic. I don’t remember what we had
for dinner that night, but I remember the wine was flowing and the dinner
conversation turned to topics such as how old each person was when he or she
did it for the first time and if you could have any ability, what would it be.
Tom’s was to play jazz piano
like Keith Jarrett, which I thought was pretty cool. My ability would be to hit
a major-league curveball, because if I could hit a major-league curveball, I
could hit a major-league fastball, and I thus would be in the majors. Later, we
all ended up in the hot tub with more champagne despite the snow on the ground,
but that’s another story.
But before dinner, Scott and
I went out to the coach house garage to play his new album. This song
particularly stood out, because it was the only one on the album I had never
heard before. I liked it right away, and now when I hear it, I can see that
coach house with its large open living room in the dying afternoon sun.
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