Performer: Tool
Songwriters: Maynard James
Keenan, Adam Jones, Danny Carey, Justin Chancellor
Original
Release:
Ænima
Year: 1996
Definitive
Version:
None. I love the studio version for its slow buildup through the Bill Hicks lines
that comprise the introduction. By the time Hicks says, “It’s not a war on
drugs; it’s a war on personal freedom is what it is. OK. Keep that in mind at
all times. Thank you,” the musical maelstrom is absolutely raging. Remember the
old Maxell tape commercial? It’s like that: You can feel your hair sticking out
from the back of your neck. However, a live version I found from the Lateralus
tour in 2002 is pretty phenomenal in all other respects.
Third
Eye is my No. 1 song from the Nineties. Interestingly enough, I didn’t like
this song when I first heard it. It was TOO abrasive, if you can imagine that.
It was so when I put Ænima in my CD carousel in anticipation of poker night, I
blocked out Third Eye so as not to offend the more delicate ears amongst my
crowd. (I thought having Maynard screaming out “Prying open my third eye” a
dozen times was a bit too much for those who preferred the stylings of, say, Dave
Matthews.) One day, I unblocked Third Eye to give it another listen, and the
rest, as they say, is history.
Third
Eye became a regular play at the gym. I put it at the end of the tape, so I
could listen to it during the cool-down at the end of my workouts, which seems
an odd choice considering how intense it is, but it worked for my mind set. I
always liked to occupy my mind during cool-down by conjuring up these elaborate
stories in my head.
The
one that fit Third Eye and really raised it out of the primordial ooze revolved
around a series of articles the San Jose Mercury-News did in the late Nineties that
exposed how the CIA was instrumental in the introduction of crack cocaine to
Southern California. I never did anything with the story although I have all
sorts of scenes locked somewhere in my noodle. Maybe after I end this here blog
and my baseball book, I’ll spend some time on it and the other stories I have rattling
around in my head.
So,
in just a few years, Third Eye went from the outhouse to the penthouse of music.
It just goes to show you, again, how a different perspective can illuminate a
song in a way that you hadn’t heard before.
My
time at Torch Lake is in no further need of re-examination. It was one of the
best three months of my life. Getting back from Chicago at the start of
November seemed to be a real demarcation point. October had been pleasant and
mild. November roared in cold and windy.
Before
long, it seemed that most of the few hangers on at the lake all were gone. The
lights that dotted the lake at night dwindled, and it gave me a real sense of
how the lake must have looked a half-century earlier, when my grandfather first
visited it with his family—a lot more unspoiled … and out in the middle of
nowhere.
Maile
and I continued our walks and adventures. One day I discovered across the
street that one of the big trunks on a multitrunk ash tree crashed down during
a storm and lay across the drive to the pole barn where all the sailboats were
kept for the winter, even the family Jeep.
Well,
this was no good. The tree had to be dealt with before everyone came up for the
summer, and that seemed like a good chore for me to handle. I’d never operated
a chainsaw before, and I thought that my first time shouldn’t be when I was by
myself in case I sliced off a digit.
I
was comfortable with an axe, however, from splitting firewood when I was a kid.
Besides cutting up the tree Honest Abe style would provide a decent workout,
and God knows, I could use the exercise that I wasn’t getting aside from
morning walks with Maile.
So
each day for most of November, I’d take Maile on the leash across the road with
my axe. I’d tie her up to the fence so she wouldn’t go roll in deer poop and
spend an hour each day back in the woods whacking away at the trunk.
The
wood was hard, so it took a long time to cut through the base. When I finally did,
I couldn’t drag the trunk out of the way—it was too heavy. So I began pruning
the top and dragging the tree branch by branch into the woods. Maile lay on the
ground, waiting patiently until I was done for the day and we could go play
stick by the lake.
I
liked having a project that got me out of my mind and into my body, and the
tree was back in the woods enough that the wind was blocked, so I could take
off my jacket and work without getting cold. When I finally cut the trunk down
enough so I could drag everything out of the way, I felt a real sense of
accomplishment.
It
turned out that that wasn’t the only tree-pruning service I performed. After
Maile went home for the winter at Thanksgiving, another tree came down in the
wind. This one was a tall but rail-thin fir that held a prominent place at the
bottom of the driveway that leads to the boathouse under the Little House. I
once again retrieved my axe from the work shed.
After
the ash tree, chopping up that fir was like cutting butter. The fir was done in
a single Saturday, although I didn’t have to cut it up as much as I did the
ash, because it was lighter and easier to drag out of the way. (It’s amazing
how much a tree that’s 30 feet tall can weigh even if the trunk isn’t much
wider than, say, a street light.)
It
was just as well, because I had another, larger chore just before I left. My
entire schedule at Torch Lake was predicated on getting out of there before the
snow began to fall. As I found out, this was a necessity when it came to
transportation.
In
early December, a few days before I was to head home, the first significant snow
of the season fell overnight. It was a light dusting although enough to cover the
ground, and it didn’t seem to amount to much … until I went to drive my car. I had
to go to Bellaire, but I found out that a light dusting of snow
on an unpaved driveway causes havoc.
In
short, I couldn’t get the Happy Honda up the hill. I’d get a few feet, lose
traction and slide down. No matter how much speed at built up at the bottom of
the hill, I’d get only so far and then have to slide back down, backward, to
the bottom. At least I didn’t have to worry about hitting another car.
I
let myself slide down, because gunning the engine on the hill would turn the
slick snow into ice and make any passage impossible. So, I’d grab sticks,
stones, anything I could find onto the soft soil, so my tires could find
something to grip. Then I’d jump in the car and give it another try.
I
made slow progress, getting farther up the hill each time. Finally, after more
than an hour, I made it to the top of the hill.
This
was a real problem. I couldn’t take the chance that the driveway might become
impassable with further snow. So after I got back from the store, I parked my
car at the top of the hill, just off the street, so I wouldn’t have any problems
moving it again—particularly when I went to drive home.
Of
course, this meant that when it was time to load up everything I brought with
me to Torch Lake, I had to carry it up the hill to put in the trunk of my car.
The traction my boots provided was only slightly better than that of my car’s
tires, and packing was more or less an all-day ordeal.
I
left on time. It was late in the day, but it was the day I was supposed to
leave. Even better, my work was finished, too. My time at Torch Lake—including
two trips to Chicago to see Laurie—had been a true once-in-a lifetime
experience, but I was ready to get home. Since Maile went home at Thanksgiving,
I was very lonely, much lonelier than I expected to be those last two weeks.
Now, I had Christmas to look forward to and another trip to Chicago at New
Year’s.
And
I was looking forward to seeing Maile again. I had really fallen for her at
Torch Lake, but I wondered whether she’d remember me now that she was home
again. It was late at night, and Dad was letting Maile out for the final time
when I pulled into the driveway in Columbus. As soon as I got out of the car,
Maile ran over and promptly threw herself on the ground, tummy up, whimpering
for a pet. “It’s my buddy! It’s my buddy!”
It
was good to be home.
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