Performer: Jefferson
Airplane
Songwriters: Marty Balin,
Paul Kantner
Original
Release:
Surrealistic Pillow
Year: 1967
Definitive
Version:
None.
Today
was the song that when Tributosaurus played it, I turned to Laurie and said, it’s
a crime I don’t know this song. Why didn’t I know this song? Of course, it’s
because radio decided that Jefferson Airplane had ONLY two songs, and because
this song was neither Somebody to Love nor White Rabbit, it got shunted to the
side.
I
wrote about the anniversary Laurie and I spent in 2010 as tourists in our own
city (good ol’ No. 376). What I didn’t say was that it began a somewhat downward
spiral in our relationship. It wasn’t a period when we constantly fought, because
we don’t have ongoing fights, but it definitely was a period when I was
questioning our future together.
Nothing
had happened specifically to merit this re-evaluation, that is, I wasn’t having
an affair or interested in having an affair, per se. I just was wondering
whether perhaps it was in my best long-term interest to pursue other options. Unlike
some of my other paramours, however, I promised myself that I wouldn’t be
evasive. I’d be honest and direct and tell Laurie if that’s what I wanted.
The
problem was I didn’t know what I wanted. A few characteristics that I always didn’t
like about Laurie seemed to manifest themselves in ways that threatened to
become problematic. It was a classic it’s not you, it’s me situation, except it
really was both. It was me, BECAUSE it was you.
In
fact, my re-evaluation reached a point where we actually broke up for a few
minutes. It was on Valentine’s Day 2011, of all days. We had a dismal dinner
together at a great Italian place where a number of things weren’t right. Our
fight simmered over when we got home, and I said … maybe … we should … break
up.
The
second those words left my mouth I regretted saying them. I didn’t want to break
up with Laurie—and she definitely didn’t want to break up with me—I just wanted
a few things to change. I guess I reached a point where I concluded that they
weren’t going to change, and the discussion spiraled to the point where it seemed
the logical thing to say.
But
as soon as I said I wanted out, I realized I didn’t. I apologized for my
behavior, for how I’d been acting, for everything. Somehow, we moved past that
moment and fairly quickly. There was no nuclear winter, no radioactive fallout.
Part
of the reason was, well, life got in the way. Mom’s pending death quickly put
the events of Valentine’s Day in the past out of necessity. Then my ear flared
up, even while I made several trips to Columbus to pack up Mom’s condominium. It
bought me and Laurie time, and, perhaps, made it so we dug in, determined that
we wanted us to work and that we’d make it work.
And
we have. It’s been a lot better lately. Laurie slowly changed a few of the
problematic things, and I also changed in terms of my demands. The real secret
to any long-term relationship is deciding what you’re willing to overlook and
what you aren’t. I guess I decided that some things just weren’t worth
troubling myself over after all.
This
past Valentine’s Day, we went back to Orso’s for the first time since that
dismal Valentine’s Day three years before. We originally planned to go
somewhere else, but I forgot and suggested Orso’s in January. As soon as I said
it, Laurie grasped why and agreed instantly.
This
time everything was different, everything was better. I surprised Laurie with
tickets on the floor of the Chicago Theater to see Eddie Izzard in June. Aside
from Eddie’s brilliance as a comedian, it was a significant purchase, because
we once were supposed to see him, in the same venue, but had to skip it when Laurie
went into the hospital in 2008.
When
we left, we agreed: Orso’s, as well as our relationship, had been redeemed.
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