Performer: Robbie
Robertson & the Red Road Ensemble
Songwriters: Robbie
Robertson, Jim Wilson
Original
Release:
Music for The Native Americans
Year: 1994
Definitive
Version:
None, although I saw a sweet live performance of this song on YouTube, since
removed, that featured Rita Coolidge looking superhot in leather fringe.
When
Debbie and I went to Toronto in November 1994, one of the places we visited at
the Eaton Centre was a store that sold Canada merchandise. I already had a flag,
so I didn’t buy anything, but the store had a stuffed moose wearing a Mountie
uniform, which apparently was the national mascot.
How
cool was that? At the time, Scott kept his old stuffed Opus on his computer,
and I thought my computer needed a similar companion. It was fairly expensive
though, like $50, and I ultimately decided it was too rich for my blood for an
impulse purchase—and almost immediately after regretted my decision.
That
year was my first Christmas with Debbie. We decorated her tree, complete with
the two ornaments we bought in Toronto, a couple weeks before the big day. On
Christmas Eve, she was going to have her whole family over, which was how she
liked to celebrate the holiday. I already had met everyone, so that wasn’t a
big deal, thank goodness.
That
day, I went to her apartment early to help with the setup and stopped at the
nearby Big Bear to pick up a couple of things she requested for the party and a
bottle of champagne for later. Just inside the entrance, the store had a
Christmas display that included a stuffed cow, and my reaction was almost like
it had been in Canada with the moose. I don’t know why, but I knew Debbie had
to have it, and this time, the price was right: $10.
I
presented it to her upon arrival, and she loved it. She said she hadn’t gotten
a stuffed animal in decades, but she loved her little cow, which she named
Otto.
The
evening was a great success, and finally Debbie and I were alone, so we could
exchange our own gifts and open the bottle of champagne. Debbie had one in
particular that she couldn’t wait for me to open—particularly after she had
gotten her Otto. As I tore into the paper, I had an inkling of what it might
be.
Sure
enough, it was—the Mountie moose from Canada. It’s name was Binkley. “You
looked at that moose over and over, and when you didn’t buy it, I had to get it
for you,” Debbie explained. So she snuck a business card from the store when I
wasn’t looking and ordered it through the mail almost as soon as we got home. I
was overjoyed.
Well,
Binkley never made it to my computer. From that night on, Binkley and Otto were
inseparable. We made them the centerpieces atop Debbie’s bed, and that’s where
they remained after we moved in together the next year.
I’m
happy to say the two remain inseparable. When Debbie and I broke up in 2001,
Debbie said she couldn’t bear the thought of separating them, and she insisted
I take both. I didn’t want to, knowing what they represented, but I relented.
They
went into a box—together—and into a closet at Mom’s condominium. (I didn’t want
them with me.) When Mom died, and I moved the last of my stuff to Chicago, the
box that contains Binkley and Otto came along and was placed in the storage garage
that Laurie and I share.
They
aren’t like the Ark of the Covenant—buried among an endless stack of similar
boxes. I know where they are, and, someday, I’ll turn them over to my first
grand niece or nephew. They deserve a better fate.
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