Performer: Tears for Fears
Songwriters: Roland Orzabal, Curt Smith
Original Release: The Seeds of Love
Year: 1989
Definitive Version: None
So there I was on an October
1989 morning, climbing tentatively onto a puddle jumper at O’Hare to jump
across the Lake Michigan puddle and head to Flint for an interview with the
folks at The Flint Journal.
The flight was uneventful,
and I landed on time at Bishop International Airport, which at the time
resembled the Benton Harbor Greyhound bus terminal in terms of charm, which is
to say, it had none. A large black man held a sign with my last name on it. I
felt like I had arrived.
Hank, who I later learned
was essentially The Journal’s public ambassador, drove me into town. I was
taken aback by the realization that even though I’d passed by Flint almost
every year since I was a toddler, I’d never actually seen the city until now.
It didn’t strike me as anything more or less than any other small industrial
city. It wasn’t nice, but it wasn’t nasty—at least downtown.
I interviewed with Allen
Wilhelm, the news editor who contacted me, and did a couple basic copy editing
tests. They seemed to go well. Then I had lunch with several folks, including
the news editor and the assistant news editor, at a nearby food court. Being
taken to lunch was another first at a job interview.
After lunch, we went back to
The Journal. I had one final interview scheduled, but the editor was
unavoidably detained. In the interim, Mr. Wilhelm turned me over to Sue and
Dan—a couple of copy editors who were just wrapping up work for the day and
heading down to the break room for a smoke.
We chatted amiably enough,
but I was struck by the realization that with the exception of one woman, I
would be—if hired—the youngest person on the copy desk by at least a decade, if
not two. At the Daily Herald, I was, at 25, far closer to the mean.
After awhile, another copy
editor who was part of Sue and Dan’s crew came into the break room. He
introduced himself as Randy, plopped down on a chair next to mine and looked me
square in the eye: Do you know how to drink?
Sure. (In retrospect, I only
thought I did.) Well, a few of us go to lunch at this place around the corner.
Want to come? Yeah … can I go? As it turned out, I had some time to kill till
my return flight, so I was allowed to go with them if I wanted, but just be
back by 1.
This was a good opportunity,
I thought. I had a chance to chat with people with whom I’d actually be working
away from the newspaper where they likely would be less guarded. If there were
any red flags about working at The Journal, I’d learn them now.
We went to a side street a
block from The Journal to this real hole-in-the-wall called The Coupe. The
Coupe was a two-room bar that sort of had a Spanish flavor in the first room,
in which no one ever sat, and English in the second room, which is where the
bar was.
The crew ordered lunch, but
I already ate, so I just had beer—a whole lot of beer. One pitcher was followed
by another, and the copy desk crew ran one funny newspaper story after another.
OK, so I got along with these folks, but, whoa, I think I had a little too much
to drink here. Which is smarter thing: Getting the interviewee drunk or getting
drunk during an interview? I’ll leave that question for the philosophers.
Actually, I wasn’t really
hammered. I just felt more full than anything, but I certainly had a little
glow on when I got back to The Journal for my final interview, which I somehow
managed without too much difficulty.
Finally, it was time to head
home. This time, Mr. Wilhelm himself drove me. Along the drive, he made the
offer. He couldn’t tell me salary, but he asked how much I was making, and when
I told him, he assured me it would be more than what I was making.
The flight home was fairly
bumpy—what little I remember of it. But what did I care at the time? Steve Dahl
once said that the flattery of the offer is as good as it gets, and I was
feeling pretty good when I landed back at O’Hare as the sun began to set. I had
been flown in and—literally—wined and dined by The Journal. Flint can be all
bad, can it?
A couple days later, I heard
back: The offer was $500 a week, with a 5 percent shift differential for
working early hours and the promise of a standard cost-of-living hike that all
Journal employees got at the beginning of the new year. With a $1,500 repair
bill staring me in the face, I was being offered nearly a 50 percent pay hike
in two month’s time.
I had concerns about the age
differential and, of course, going from the Chicago suburbs to Flint, but … I
needed the money. Of course, I took the job.
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